HEROES - 1x19 - ".07%"
Apr. 23rd, 2007 10:24 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
ashinaeHOLY CRAP PEOPLE. I decree that henceforth, Monday shall indeed be renamed PETRELLIDAY.
· Linderman doesn't sound like Malcolm McDowell. Or the other way around. Anyway, is it that they told him to try harder with the American accent? Though when he says "hour", it sounds like him.
· WOW THAT IS SO NOT CLAIRE. Called it. Candace. Someone please punch the smirk off her face.
· "You must bring all your first dates here." Oh, Nathan. You'd have chemistry with the plant Linderman just healed.
· (Ah, so apparentl Global showed this an hour earlier and I could have watched it twice in a row! Also: NBC is coming through really badly. Anyway)
· Ooh! Telepathy over distance now for THE PARKMAN! So he just needs to learn how to make other people hear him. *waits*
· "We all have our roles to play in events to come." -- Looking at Linderman's collection, I wonder now if perhaps Isaac's not the first to have this particular power. Claude commented to Peter that he was "one of those". Now Claude could have meant "another person with abilities" or "another sponge"; can the same powers be showing up over and over again in history? HMM.
· Linderman and his friends... I WANT BACKSTORY! Who are these people! Gah.
· "People need hope, Nathan." And, I know other things were going on here, but I have no idea what because Nathan is too fucking hot.
· And there's the painting I saw months ago! President!Nathan! "Peter's curtain call will come the day after you're elected." Oh God. Nathan skirts the dark side, sure, but I love that he walks out. Even if it'll only be for a few minutes, which is possible, but he walks out. GO NATHAN.
· Lookit Matt, bein' a HERO. ♥
· ACK! Scary replay of the end of 1x18! D: Oh, Mohinder! Oh, Peter! Oh, Sylar's Goa'uld voice! What is UP with that?
· This whole next bit caused serious incoherent!Ash. Thoughts were basically along the lines of "Yay for Peter healing and flinging Sylar across the room!" "Oh, my poor Mohinder, falling on his face!" "Invisible!Peter! YAY! Kick Sylar's ass when he can't see you! (Please don't hurt his face!)" And "Ooh, the heroic music of awesomeness!" and then -- the glass imbedded itself in Peter's head and I shrieked. Quietly. but I shrieked! And then Mohinder got to KICK ASS himself, and crawl over to Peter, and his voice is so pretty when he's all "Oh, Peter" and stroking Peter's hair and Pete seemed kind of dead and OH MY GOD.
· HEY. If Peter's got a piece of glass lodged in his head, if they just pull it out, will he "reboot"? (Thanks, Zach. I miss you, buddy!)
· OH, Nathan wedding picture! With him being all snuggly with Peter! ♥
· Claire looks pissed. "Trust me, I don't need protecting." But, geez, I adore Angela Petrelli. I have from the beginning. "To join this madness like I once did." I expected her to DO something when she stood. I'm disappointed. Also: "You get that mouth from me."
· Oh, POOR SYLAR. PITCHING A HISSY FIT. SUCKS TO BE YOU. ... Except that now he's remembered about Isaac...
· ... who is preparing for his death. :( And he has a fanboy! "Do you promise not to post any spoilers?" Hee.
· Oh, DL. I'm so sorry your wife is just... yeah. I'm getting sick of this storyline now. "You turned into your old man." Ooh, BURN.
· "Moving Bennet, Sprague, and Parkman." Ooh, editing here! COOOL. And there goes Matt, to collect whiny!Ted.
· OH MOHINDER. He brought Peter to his mama. But she kicks Mohinder out. Poor bloke. And, oh, Mrs Petrelli crying. :(
· Oh, Linderman, you charmer. So deliciously wicked. From Malcolm McDowell, however, I'd expect nothing less. S"All the cookies he can eat." So is he going to use Micah's talent to rig the election to make Nathan win?
· EMP. Gee, have I heard that on some other show? *G* Okay, Ted, that was pretty darn cool. Now stop being a DOUCHE.
· And again, my brain broke right here. With Nathan coming home. He knew, and his expression and then THE CRYING. Oh my God. "Ma, it doesn't matter anymore, Peter's dead." And the clutching Peter to him and the sobbing and the face against his neck and the the the the *flail*
· I WAS RIGHT. And Nathan's face when Peter comes back and OH. "Guess we're even now." I do like to gently mock the "Paire" shippers, because, well, I can, and their whole trying to find wiggle room to not make Peter and Claire related, no matter what. Milo and Hayden do have great chemistry. (Though I don't understand the whole before-they-met shipping thing). That said, the uncle-niece thing isn't what bothers me. IT'S THAT SHE'S CANONICALLY FIFTEEN AND HE'S CANONICALLY TWENTY-SIX AND D:
· "I don't know who I am without you." ♥ I was afraid, just because of the lighting, that this was another Peter dream where he's idealising Nathan and their relationship, but it's REAL. Holy crap. Also: Adrian is hot in pink. But Adrian would be hot in a garbage bag, seriously.
· "Maybe she's here to save us. Talk to her, Nathan. We need her." Awwwwww.
· And of course Mama Petrelli tells them she's always known. NOW THEY NEED TO TELL ME WHAT SHE CAN DO. SHE MUST BE ABLE TO DO SOMETHING. DAMMIT, KRING. TELL ME.
· Aaaaaaaaand they're bringing Ted straight to Peter. The tracking system's in NY. The Deveaux building?
· Of course Jessica didn't change her mind. IT'S STUPID CANDACE. That's the insurance policy Linderman was talking about? I didn't want to believe that Linderman = The Organisation. Hm. GAH can Jessica PLEASE hurt Candace?
· *gasp* NO MOHINDER. Don't talk to Evil Eric Roberts! D: ... And how sad is it that he's spending this whole episode thinking Poor Peter's dead?
· "This is usually the part where people start screaming." Oh, Sylar. You sick bastard. You and your preposterous eyebrows. Never change.
· And OH MY GOD. Paint brushes through Isaac's arms and legs and OW. D:
· Isaac's being very heroic in the face of this. So what exactly, does he know? How? Who did he communicate it to? How?? Awesome editing, again, with the cutting to the paintings instead of showing the violence.
· Nathan's fixated and conflicted and staring at that awful glass shard. It seems to get bigger every time we see it, doesn't it? And, oh, CLAIRE. "I'm not pretending." And I love his voice. And he wants to do right, but... oh, hey, he's got a great lean. Great lean. In pink.
· "Paris with my grandmother." "She warms up. Sort of." One week in Paris then home to her family. And hugs!
· Sylar, you're fucked up. That wicked smile. And that twisted painting.
· OH HIRO. "I failed. So many people must have died." The sorrow in his eyes. Then the joy when he thinks Isaac could still be alive!"
· COOL. Timeline. So I wonder how many times Hiro's travelled to fix things. (Note the clipping of Nathan: "Our strength in dark times." -- HIRO & HIRO!
NEXT WEEK'S PREVIEW
I'm sure things happened, but I got all distracted thinking about future!Nathan and future!Mohinder having dirty sex in the oval office.
Maybe I should just call this That Petrelli Show Where Sometimes Hiro and Mohinder Show Up. Who's with me?
· Linderman doesn't sound like Malcolm McDowell. Or the other way around. Anyway, is it that they told him to try harder with the American accent? Though when he says "hour", it sounds like him.
· WOW THAT IS SO NOT CLAIRE. Called it. Candace. Someone please punch the smirk off her face.
· "You must bring all your first dates here." Oh, Nathan. You'd have chemistry with the plant Linderman just healed.
· (Ah, so apparentl Global showed this an hour earlier and I could have watched it twice in a row! Also: NBC is coming through really badly. Anyway)
· Ooh! Telepathy over distance now for THE PARKMAN! So he just needs to learn how to make other people hear him. *waits*
· "We all have our roles to play in events to come." -- Looking at Linderman's collection, I wonder now if perhaps Isaac's not the first to have this particular power. Claude commented to Peter that he was "one of those". Now Claude could have meant "another person with abilities" or "another sponge"; can the same powers be showing up over and over again in history? HMM.
· Linderman and his friends... I WANT BACKSTORY! Who are these people! Gah.
· "People need hope, Nathan." And, I know other things were going on here, but I have no idea what because Nathan is too fucking hot.
· And there's the painting I saw months ago! President!Nathan! "Peter's curtain call will come the day after you're elected." Oh God. Nathan skirts the dark side, sure, but I love that he walks out. Even if it'll only be for a few minutes, which is possible, but he walks out. GO NATHAN.
· Lookit Matt, bein' a HERO. ♥
· ACK! Scary replay of the end of 1x18! D: Oh, Mohinder! Oh, Peter! Oh, Sylar's Goa'uld voice! What is UP with that?
· This whole next bit caused serious incoherent!Ash. Thoughts were basically along the lines of "Yay for Peter healing and flinging Sylar across the room!" "Oh, my poor Mohinder, falling on his face!" "Invisible!Peter! YAY! Kick Sylar's ass when he can't see you! (Please don't hurt his face!)" And "Ooh, the heroic music of awesomeness!" and then -- the glass imbedded itself in Peter's head and I shrieked. Quietly. but I shrieked! And then Mohinder got to KICK ASS himself, and crawl over to Peter, and his voice is so pretty when he's all "Oh, Peter" and stroking Peter's hair and Pete seemed kind of dead and OH MY GOD.
· HEY. If Peter's got a piece of glass lodged in his head, if they just pull it out, will he "reboot"? (Thanks, Zach. I miss you, buddy!)
· OH, Nathan wedding picture! With him being all snuggly with Peter! ♥
· Claire looks pissed. "Trust me, I don't need protecting." But, geez, I adore Angela Petrelli. I have from the beginning. "To join this madness like I once did." I expected her to DO something when she stood. I'm disappointed. Also: "You get that mouth from me."
· Oh, POOR SYLAR. PITCHING A HISSY FIT. SUCKS TO BE YOU. ... Except that now he's remembered about Isaac...
· ... who is preparing for his death. :( And he has a fanboy! "Do you promise not to post any spoilers?" Hee.
· Oh, DL. I'm so sorry your wife is just... yeah. I'm getting sick of this storyline now. "You turned into your old man." Ooh, BURN.
· "Moving Bennet, Sprague, and Parkman." Ooh, editing here! COOOL. And there goes Matt, to collect whiny!Ted.
· OH MOHINDER. He brought Peter to his mama. But she kicks Mohinder out. Poor bloke. And, oh, Mrs Petrelli crying. :(
· Oh, Linderman, you charmer. So deliciously wicked. From Malcolm McDowell, however, I'd expect nothing less. S"All the cookies he can eat." So is he going to use Micah's talent to rig the election to make Nathan win?
· EMP. Gee, have I heard that on some other show? *G* Okay, Ted, that was pretty darn cool. Now stop being a DOUCHE.
· And again, my brain broke right here. With Nathan coming home. He knew, and his expression and then THE CRYING. Oh my God. "Ma, it doesn't matter anymore, Peter's dead." And the clutching Peter to him and the sobbing and the face against his neck and the the the the *flail*
· I WAS RIGHT. And Nathan's face when Peter comes back and OH. "Guess we're even now." I do like to gently mock the "Paire" shippers, because, well, I can, and their whole trying to find wiggle room to not make Peter and Claire related, no matter what. Milo and Hayden do have great chemistry. (Though I don't understand the whole before-they-met shipping thing). That said, the uncle-niece thing isn't what bothers me. IT'S THAT SHE'S CANONICALLY FIFTEEN AND HE'S CANONICALLY TWENTY-SIX AND D:
· "I don't know who I am without you." ♥ I was afraid, just because of the lighting, that this was another Peter dream where he's idealising Nathan and their relationship, but it's REAL. Holy crap. Also: Adrian is hot in pink. But Adrian would be hot in a garbage bag, seriously.
· "Maybe she's here to save us. Talk to her, Nathan. We need her." Awwwwww.
· And of course Mama Petrelli tells them she's always known. NOW THEY NEED TO TELL ME WHAT SHE CAN DO. SHE MUST BE ABLE TO DO SOMETHING. DAMMIT, KRING. TELL ME.
· Aaaaaaaaand they're bringing Ted straight to Peter. The tracking system's in NY. The Deveaux building?
· Of course Jessica didn't change her mind. IT'S STUPID CANDACE. That's the insurance policy Linderman was talking about? I didn't want to believe that Linderman = The Organisation. Hm. GAH can Jessica PLEASE hurt Candace?
· *gasp* NO MOHINDER. Don't talk to Evil Eric Roberts! D: ... And how sad is it that he's spending this whole episode thinking Poor Peter's dead?
· "This is usually the part where people start screaming." Oh, Sylar. You sick bastard. You and your preposterous eyebrows. Never change.
· And OH MY GOD. Paint brushes through Isaac's arms and legs and OW. D:
· Isaac's being very heroic in the face of this. So what exactly, does he know? How? Who did he communicate it to? How?? Awesome editing, again, with the cutting to the paintings instead of showing the violence.
· Nathan's fixated and conflicted and staring at that awful glass shard. It seems to get bigger every time we see it, doesn't it? And, oh, CLAIRE. "I'm not pretending." And I love his voice. And he wants to do right, but... oh, hey, he's got a great lean. Great lean. In pink.
· "Paris with my grandmother." "She warms up. Sort of." One week in Paris then home to her family. And hugs!
· Sylar, you're fucked up. That wicked smile. And that twisted painting.
· OH HIRO. "I failed. So many people must have died." The sorrow in his eyes. Then the joy when he thinks Isaac could still be alive!"
· COOL. Timeline. So I wonder how many times Hiro's travelled to fix things. (Note the clipping of Nathan: "Our strength in dark times." -- HIRO & HIRO!
NEXT WEEK'S PREVIEW
I'm sure things happened, but I got all distracted thinking about future!Nathan and future!Mohinder having dirty sex in the oval office.
Maybe I should just call this That Petrelli Show Where Sometimes Hiro and Mohinder Show Up. Who's with me?
